The song I previously mentioned is complete. The music was graciously contributed by my dad, who is awesome and composes classical music. “Children of the Milky Way” is now proper sheet music, with a sheet and everything. Check it out:
I’m done with the recordings! Hooray! This took way longer than I wanted it to, but that’s the reality of having to scratch together minutes of spare time between the job, the baby and life in general.
Making these recordings was an important step, because like all meditations, the Sermons work when listened to, not when read. Check them out!
Just like my daughter finds her hand,
I find my fatherhood –
a new thing, hard to understand
and part of me for good.
My daughter is three months old now and I’m beginning to have a little time for other things again, such as this progress report. I’m still in the early stage of Sermon 4. Continue reading
The new downloads page contains the three Sermons that exist at the moment, for download in different formats.
There are two PDFs, one plain (for cell phones, ebook readers and similar devices) and one illustrated (for printing out).
There is also a bare bones ASCII text file, for convenient remixing.
I’ll add MP3s next.
The first two Sermons in this tale
have just been to prepare
this third one here, where we unveil
the gift of life we share…
The third Sermon is finished, giving me a complex mix of feelings of elation, relief and yearning for more. I am indebted to the friends who gave me critical feedback for it, especially Laila, Kami, Nikki, Viva and Raymond. Thank you a lot! Overall, this Sermon was much easier to write than the second one, as expected, because it tells a more relatable part of the story… but the extra challenge of finishing it in a single year compensated nicely for the reduced difficulty.
Now everything is changing: In a few weeks, my daughter will be born! How amazing is that! Looking forward to it, in this calm before the storm, my anticipation and excitement naturally inspire the process of starting on the fourth Sermon. Of course during the next few months, I will find very little (if any) time to write poetry. But the topic of the fourth Sermon lends itself quite nicely to description by someone very busy with loving care. Continue reading
We’re rare among the stars that drift
around us, we who live.
We hold this strange and special gift
this planet has to give.
Let’s now unveil this gift and see
it unify somehow
the many games of entropy
and make them one here now.
Work on the third Sermon is progressing well. A week ago I first presented a preliminary (“beta”) version to a select group of friends and they confirmed, as I hoped they would, that the series of the first three Sermons is considerably more intense than the series of just the first two. But there is still work to be done, and I have just one month until the premiere of the final text at the Less Wrong Community Weekend 2016.
I’m in the polishing stage now, where the narrative doesn’t change much anymore and I can focus on nice turns of phrase, fluency, aesthetics and figurativeness. I solicit feedback from friends and siblings to help me write the best text I can.
In the USA alone, every day, a lucky 10,000 people hear of Richard Dawkins for the first time.
Statistically, you know about Richard Dawkins already, so I won’t go into the vast list of accomplishments he has contributed to the world. I’d rather focus on how his great poetic skill and his scientific work have contributed much to the Seven Secular Sermons. Continue reading
Work on the third Sermon – now almost certainly titled One of Us – is progressing, approximately on schedule for completion this summer. I have a lot of stanzas, some of them strung together into sequences, a pretty good idea of what goes where, and am now working on synthesizing them into a prototype Secular Sermon that I can read to volunteers and ask for their impressions. This is a familiar part of the process. It involves puzzling pieces together, streamlining them into a narrative, and getting frequently distracted with the finer details of particular lines.
In the German Democratic Republic, where I was born, one of the most popular Christmas songs was Tausend Sterne sind ein Dom. It was written in the aftermath of World War 2, by the music student Siegfried Köhler. I heard and sang it from when I was about seven, and I vividly remember being impressed with the match between its remarkably poetic lyrics and its tender and serene music. Here’s a recording you might enjoy:
I sang it again, for the first time in many years, with a large group of friends at the Secular Solstice 2013. But Secular Solstices, even in Germany, are generally held in English. So for the 2014 Solstice, I wrote a translation of the lyrics into English, and it goes like this. Continue reading
You might think that a very long poem that describes the natural laws of the universe to demonstrate how supernaturalism is unnecessary is a novel idea. It’s not.
Around 2070 years ago, probably in or near Rome, a poet and philosopher named Titus Lucretius Carus spent years writing a truly spectacular poem: De rerum natura. The title is commonly translated as On the Nature of Things. This epic poem describes a naturalistic worldview and explains how all sorts of physical, biological, social and mental phenomena are made of atoms – 18 centuries before this was widely accepted. It makes a vague but correct guess at natural selection 19 centuries before Darwin. Before Christianity was even invented, this poem said that if gods exist, they’re made out of atoms and don’t care about us. It is classic epic poetry in dactylic hexameter and about half as long as the Iliad. Its rediscovery is credited with ending the Middle Ages.
The Games of Entropy is now on Youtube! While at it, I also re-recorded Adrift in Space and Time. I recommend this recording over the former because it has much better quality, with improved sound, bluescreen magic and in HD.
The premiere of the second Sermon went very well and I’m very grateful to have found such an attentive and appreciative audience in the astonishing Less Wrong community. This group is truly a collection of remarkable minds, and I’m sure much will become of it. There were about 30 of us, and we went through both existing Sermons non-stop. I was pleased to learn nobody could tell where the first one ended and the second began – after all, the whole thing is a single poem, though in seven parts, and I hope to one day present it as a single, huge, roughly 100 minutes experience.
So, being dust, what lets us live?
What raises us above
the countless, mindless, primitive,
raw atoms we’re made of?
There is no life within this dust:
Most specks remain unchanged
from back in ancient stars. It must
be how they are arranged.
The Games of Entropy are nearing completion, which feels great. I’m now filling small gaps, sandpapering over rough bits and worrying about how to cut it all down to size. For reasons that will be explained eventually, every sermon has exactly 80 stanzas. I completed about 120 anyway, as for the previous one, because I really liked how when finishing up the first one, trimming and compressing it improved it quite a bit. Trimming is painful, but it is a good kind of pain. (Of course I’m throwing out a much larger number of uncompleted stanzas when I realize I can’t get them to fulfill all the criteria, but I’m much less attached to those.)
Work on the second Sermon – now named The Games of Entropy – is progressing, slow but steady. Its subject is more challenging than that of the first one, where I was really just paraphrasing Carl Sagan. But I’ve become more proficient at the craft of assembling the lines into rhymes and the rhymes into stanzas, leaving me with more capacity for the task of abstracting science into poetic language. So I’m confident I’ll finish the second Sermon in spring 2015.